Is Digital Art Better Than Traditional Artbooks Is Digital Art Books
When you lot look at beautiful digital art and compare it with the things y'all describe with a pencil, you can feel astonished and belittled. If simply you could afford a graphics tablet, you could be just every bit proficient! And if you already take a tablet, your thought is, "If only I could afford Photoshop! And so many amazing things tin can exist washed with this software." And if y'all've got both a decent tablet and good software, you're dreaming about the godlike Wacom Cintiq—the bigger, the better. Merely, until and so, y'all're stuck. Y'all can't be whatever better. And it's not your fault, information technology'due south all about money!
This is probably why there's a misconception that digital art isn't real art. Later on all, a existent creative person needs to acquire all these hard things, main pencils, brushes, color mixing, different kinds of pigment, and they tin can't just undo a mistake! And when they end, their art is one of a kind, it exists physically, it'southward not only an assortment of digits that you can copy infinitely. At the same time, a digital "artist" buys some expensive equipment and that'southward all—they can now produce outstanding art. That's cheating, isn't it?
If that's your betoken of view, keep on reading. If you've never tried digital art, you'll learn what it's about. If you lot take, but yous're poor at it, I'll tell you why. In both cases I'll analyze the misconceptions that may have been bothering you for a long time.
Sculpting, Drawing, Painting, Digital Art
In that location are lots of methods of recreating the existent world in some pocket-sized form. You tin can have a soft mass and mold information technology. You can take something harder and sculpt information technology. You can make thin rows in sand to represent the outlines of something. You can take a sheet of white paper and create smudges with a small bit of charcoal. You lot can make blobs of color to imitate patches of low-cal and shadow. The weird thing is that we don't take a word for all these activities. Information technology's not really "creating"—we don't create a matter, we create an image of it. In the end, we tend to phone call it sculpting (for built forms) and cartoon (for shapes on paper). People more than familiar with fine art add together another category to it, painting, to distinguish information technology from line-based works.
Not then long ago another category appeared—digital art. The reckoner has turned out to be a powerful tool for an artist. Information technology provides a make clean workspace, with the freedom to make mistakes. Information technology'south then powerful that traditional artists have started to wait at information technology every bit some kind of unfair extension. One pen instead of a bunch of pencils with different softness, all the brushes that need to exist cleaned all the time, charcoal, ink and any you lot'd like to employ? One machine for every size, shape and textile of canvas, for every color and way of blending? Everything neatly placed on your desk, with the selection to save for later? A dream tool for lazy people!
Computers are also well known for their function of automating boring and time-consuming processes. For case, you give it 10 big numbers to multiply, and get a upshot without whatever endeavour on your side. In the same way you tin create a brush (one not like to anything traditional) of a tree, and create a whole wood with simple clicks. Click, click, click—and there y'all are, every tree perfectly detailed. All in a matter of seconds. Want to create a gradient for the sky? No problem—select white and blue, and it just creates itself. Did the graphic symbol turn out to be likewise small? Don't worry, just scale it. Or utilize a special deform tool to change its shape without having to draw it once more. Everything without affecting the groundwork—we've got layers, after all. It'due south too easy. Besides easy to be called art.
Here'due south the problem: a computer isn't an art tool. It'south not a substitute for a castor, or sheet. Information technology'southward a set of tools that lets yous create an image of reality in the aforementioned format as photos. That'due south all. Does information technology brand the creation process more convenient? Yep. Does it go far piece of cake? No.
To empathise information technology, y'all demand to get familiar with the concept of art media.
Traditional Media
Sculpting
In sculpting you lot utilise some solid fabric to create a 3D object, normally resembling something known from reality (or imagined reality, similar movies or books). These materials should exist prone to some kind of crafting so that their form tin be adjusted. These are materials like:
- Dirt
- Stone
- Metal
- Plastic
- Bone
- Forest
- Ice
- Glass
Drawing
In this method the outcome is fabricated of lines that symbolize some form known from reality. It's characteristic that dry media are used—you demand to make the blending yourself with lines or a kind of dithering. Most whatever fabric tin be used for it, equally long every bit it's practical with a pointed stick on a material that tin keep it for a time (newspaper, wood, or the human body).
- Graphite
- Mark
- Ink
- Crayon
- Paint
- Pastel
Painting
In English, "painting" and "drawing" are oft used every bit synonyms. Nonetheless, a simple distinction can exist that nosotros use sharp lines for drawings and blobs/patches of pigment for paintings. Overall colors, calorie-free and shadow, and the shapes fabricated by it are more of import hither than clear outlines. Wet media are commonly used, and the blending tends to occur naturally. For painting nosotros can use:
- Oil paint
- Acrylic paint
- Gouache
- Ink
- Tempera
- Watercolor
Digital Media
Digital media will be everything that has a digital result, that is, "in the grade of digits". When you lot take a photo of your painting, it becomes digital too (of course, but the photo, non the concrete original). That's what links all digital creations—zippo more. We still tin can distinguish other categories here:
Sculpting
Digital sculpting is about creating 3D models of something known from reality with a software that provides tools for it. The models can be textured and colored, and presented in a light that resembles a realistic environment. Finished works can exist brought into a traditional form with a 3D printer.
Drawing
Digital drawing can exist created with software that lets the user create dots of diverse diameter, which transform into lines. Additionally, other features tin be used, like colors, erasers, and the transformation of drawn lines. Finished works can be then brought into the "real world" by press.
Painting
Digital painting requires software that provides tools for creating patches of color and for blending them. Painting programs are usually a more than avant-garde form of drawing software.
Every bit you can see, it's not "sculpting, drawing, painting, digital fine art". What does it hateful for us?
Digital Art Isn't Easy...
Would you say traditional art is easy? Probably not, because in that location are so many unlike categories hidden under this name. Yous tin be slap-up at sculpting, but weak at painting. And even these categories aren't so uncomplicated as merely "piece of cake" or "hard". You need to go deeper: clay tin can't exist compared to steel, and oil paintings are made with a totally dissimilar technique than watercolor ones. So it's not but the tool that makes the difference—y'all tin utilize the same brush for different techniques.
It's the same with digital art. You get a set of tools, but they don't have any technique assigned to them. What's more, the techniques of sculpting, drawing and painting are the same between traditional and digital media. Drawing a line on newspaper or dirt is no different than drawing a line with a stylus pen. The result is created in a different format, but it doesn't change anything.
...Considering Art Isn't Easy
If you call back it is, take a expect at my article about fashion—that's where I explained the difference between the mere activeness of drawing and drawing with style added. Creating an image that people will recognize and react to in a certain way is an unbelievably complicated process. Talent can help yous in the offset, but then it'due south all about gaining skills.
In that location are 2 forms of drawing/painting/sculpting skill:
- Using the medium to create an outcome
- Using the medium to create an event that people will recognize
Craft Skills
The first class is about manual skills. It's nigh holding the tool and using information technology. For example, in polymer clay sculpting information technology may be about:
- Softening the dirt in your hands
- Dividing information technology into smaller and bigger parts
- Creating balls and snakes
- Cut holes in information technology
- Sticking parts together
- Blending stuck parts with a finger or toothpick
- Not breaking the finished parts when working on the others
- Baking the model at a proper temperature
What about drawing? What skills do y'all demand to draw?
- Holding a pencil in your hand, so that precise motion tin can be accomplished
- Pressing it to the newspaper
- Keeping the newspaper directly when drawing
- Sharpening the pencil when it stops responding properly
- Using various pressure levels (subtle strokes, defined strokes)
- Controlling the direction and menstruum of lines
Well, probably you've but discovered y'all can describe! But let's see what skills you need to draw digitally:
- Holding a pen in your paw, so that precise motility tin can be achieved
- Pressing it to the tablet
- Using various pressure level levels (subtle strokes, defined strokes)
- Controlling the direction and flow of lines
- Coordinating motility of the pen and the cursor on the screen (in the case of non-screen tablets)
Surprise! Aren't they pretty similar? The merely differences between them are associated with the features of the cloth used (paper, screen). Drawing lines, no matter where, is virtually the same skill! If yous can't describe on newspaper, don't expect that a graphics tablet will change anything. It won't lead your paw, it won't make your lines clear, it won't give you style. Drawing a horse digitally is no different than drawing a horse traditionally. Information technology requires exactly the same skill—and this skill won't automatically testify upwards when you purchase a tablet!
Artistic Skills
"I can hold a pencil, I can control my lines, but I can't draw a horse—why?" I'll tell you lot why, and mind advisedly. The most detailed and realistic picture you can imagine is made of the same lines as your drawings. The knowledge of how to organize them to achieve this effect isn't really linked to the activity of drawing.
Arts and crafts skill is knowing how to apply proper words and grammar to write. Artistic skill is knowing how to breathe soul into these words and grammar. And soul itself has nothing to do with the transmission skills. You can take great artistic skills without always touching the newspaper with a pencil. That's why expert artists have no problem with switching among different media—the soul stays the same while the technique is being changed.
To create something, you need to know how to create what you lot want (craft skills), and what you want to create (artistic skill). "A horse!" you say. But what is this "horse" you're talking most? A good exercise is to depict the object with words showtime. This manner you'll understand how little you know about it—and how would you draw a horse if you don't even know what it looks like?
Permit's imagine this is your description:
An animal with four long legs, hooves, a long cervix, long head, long torso, pointed ears, oval eyes, a mane on its neck, and a tail with long hair.
Anyone tin can recognize the animal from your description, but information technology doesn't mean you know what a horse looks like! In your mind you can make upward a lot of things you don't really run across, but when yous go to describe information technology, you'll need to answer these questions in detail:
- How long are these legs? Where are the joints placed? What direction do they bend in? What is their shape?
- How big are these hooves? What is their shape and texture? How are they fastened to the legs?
- How long and wide is the neck? How is it curved? What muscles/tendons are visible under the skin?
- How long is the head? What is its exact shape? Where are the nostrils and mouth placed? How wide are the cheeks? Are in that location whatever anatomy details (tendons, veins?) visible under the skin?
- How long and wide is the trunk? How is it curved? At what points are the legs fastened to it? What muscles are visible under the skin?
- How long are the ears? How exactly are they pointed? Where are they attached to the head? What is the altitude between them?
- How big are the eyes? Where are they placed? What are the pupils, eyelashes, and eyelids like?
- Where exactly is the mane placed? How long and fluffy is it? How big a role of the body does it cover?
- How long and fluffy is the tail?
I'grand sure you get the point now. Notice that all this knowledge isn't in any style connected to transmission skills. A tool—pencil, brush, whatsoever—is only a medium through which the data from your visual library tin be brought into the existent world. That visual library—or database, equally I similar to phone call it—is being expanded every time you brand a conscious effort to empathise what something looks similar and why. Information technology doesn't accept annihilation to exercise with the tool you use. That being said, y'all don't need a tablet to create a vast visual database.
Realism
Let'southward say you tin control the lines and you know a lot most the topic yous want to depict. What else stops y'all from being awesome? There's one more thing nigh creating, and it's called style. Past default, it's commonly realism. To attain realism yous need to gain some basic theory that may be included in your visual database, but it's very hard to get that fashion:
- Perspective—drawing forms in 3D space
- Low-cal and shadow—mastering the basic mechanism our brain uses to recognize forms
- Colors—understanding the rules of seeing, mixing the colors, choosing the right palette to reach a coherent effect
- Composition—understanding the relation between objects and the concept of focus expanse
Again, it has nothing to do with a graphics tablet. Sure, it'southward easier to practice colors on the figurer, where you've got an unlimited palette, just y'all can practice with a mouse—because practice is about understanding something, not about creating a masterpiece in result. That's the primary trouble for beginners—they tend to care for every movie they depict every bit a challenge that they tin either win or lose. If you're one of them, stop. Distinguish refined pictures from studies, and don't bear witness the latter to anyone.
Practice
Practice is a key to achieving your goal. Fifty-fifty if your visual database is bursting at the seams, and you lot've read and absorbed every tutorial nigh the theory of drawing, you however need to practice if y'all want to master your tool of choice. There's no difference betwixt digital and traditional media here. Every tool has a countless number of techniques it's good at, and you need to discover them yourself.
Is digital fine art easier to practice? I know 1 affair for sure: information technology's cheaper and cleaner. All the same, it's besides less mobile—you need to sit at your desk, always in the same place (unless you lot have a Cintiq Companion, but then it stops being cheap), while it's then much easier to take a sketchbook to a forest or a museum. Plein air painting is also a swell way to practice colors and lite—the skills you lot go here can hands be transferred to digital painting.
Equipment Doesn't Brand the Creative person
Permit's say you lot already know it all. You only feel limited past all the tools you lot demand to buy and primary to achieve the same issue you could get digitally with one stylus. It'south totally unfair, isn't it?
I hear you lot. While for traditional art you demand a whole workshop to shop all the heaps of tools, in digital fine art you merely need to purchase a graphics tablet, a reckoner and some adept software to be able to do anything, with whatever technique. Equally long as it'due south the only source of your frustration, that'southward OK. The problem appears when lack of money is your alibi for not existence good artist—"I can't be every bit good equally they all are, because I can't afford the equipment necessary for digital art." Is this really the reason for your poor skills?
Imagine the times when in that location were no computers and nobody even dreamed of digital painting. When the palette of bachelor pigments was limited, and the most beautiful, pure, and vibrant colors were very expensive. We've got two artists, 10 and Y. 10 is a great artist, but poor. Because he can't afford expensive pigments, he's developed a method for painting in a express palette. Y isn't very good at painting, but he'due south a prince and he's got all the pigments he could wish for. Whose paintings exercise you recollect look better?
The moral of it is that X will be a good artist no matter what he uses, but Y relies on the most avant-garde materials to polish. Y isn't a good artist—only his tools make him look similar one. If you lot could choose, who would you rather be—a skilled artist with limited possibilities yous can make the best of, or a weak creative person with equipment you're not able to employ properly?
If you struggle with drawing traditionally, don't expect that a tablet will change anything. Yous should develop your craft skills and create a visual databasebefore reaching for more than possibilities. If you can't use the possibilities you've got now, why would you expand them? If y'all can't drive a inexpensive automobile, a Lamborghini won't be any better. Permit's run into what excuses for your poor skills you can create.
Drawing With a Mouse Sucks
Terminate using it, and then! Nobody is forcing you lot into digital art. Information technology's every bit if y'all used a heavy rock to depict lines on sand and then complained well-nigh how difficult information technology was. Just... why would you do it? Either you decide it'south not a good tool for digital art and stop using it, or just make the all-time of what you have. Complaints won't brand you better.
And if you really want to use your possibilities, why don't you learn what a mouse is capable of? Or develop your own way to use a mouse efficiently, like this artist.
Drawing on My Tablet Is So Difficult, and I Can't Afford Cintiq
That's a serious trouble—with classic graphics tablets, at that place'southward a distance between the movement of your hand and the actual strokes. It tin exist quite unintuitive at the beginning, and some people never learn to feel comfortable with it.
I'k one of them. Seriously, I can't sign my artwork without trying hundreds of times. "Undo" is my favorite control, along with a shortcut I created for zooming out subsequently big, large zooming in to fix a line. That'southward why I beloved working on details—they don't require and then much movement.
Even so, at that place's a flim-flam you can use to jump over it. First, sketch traditionally and scan your sketches when they're done. Information technology's so much easier when yous've got a solid base to follow. Second, y'all can place a canvass of paper on the tablet and draw this manner, focusing on the subtle rows your stylus is making on the newspaper, instead of the epitome on the screen.
At that place's one trouble most this Cintiq-dream—imagine someone heard your praises and presented you lot with the most expensive model of Cintiq. If your skills aren't expert plenty, here is where all your excuses end. Now you can't arraign anything exterior of you—y'all become the just factor responsible for your poor skills. So, why don't you lot starting time at present? You don't need this special kind of tablet to go responsible for what you're able to do.
Past the manner, did you know that there's a cheaper culling to a Cintiq?
A Bigger Tablet Would Be a Approval
After jumping from an old version of Wacom's Bamboo Pen & Touch (147 x 91 mm) to a Wacom Intuos Pro M (224 x 140 mm) I tin tell you one thing: it'south a thing of comfort, not skill. I didn't modify to a bigger tablet because the other one was too pocket-sized, or not sensitive enough—I just changed my figurer from a 13" notebook to a 24" self-built PC. Information technology was merely a matter of proportion—afterwards iii years of working in a smaller configuration, a small tablet seemed to me as well sensitive for a big screen.
Believe me—a bigger tablet won't make you better. If your excuse for your poor skills is "my tablet is not big enough", what you're really maxim is, "I'm not a good artist because my tablet is not comfortable enough." Is comfort actually that important, or are you non adamant enough?
My Calculator Is Standing in My Fashion
At that place is ane point where discomfort transforms into disability. When every stroke is painfully boring and saving takes ages, information technology's very easy to lose your inspiration. But, if your reckoner clearly isn't suitable for digital fine art, why do you keep using information technology? Find a manner to become a better computer, learn to use the old one at its own pace, or just change the tool for something more constructive—perhaps traditional painting? Information technology's sad, but that's the truth. Don't try to make your poor art more attractive by arousing compassion in your viewers. You can be improve than that!
Photoshop Is Too Expensive
Yes, it is quite expensive. Still, I don't know if you noticed that "photograph" in the name. Photoshop isn't a tool for drawing/painting. It can be used as i, with dandy success, but it doesn't hateful that's its principal purpose. If you wait at the brushes palette and see how inflexible it is (no way to modify a castor or organize the palette), or the lack of color bicycle window (yous need to download an unofficial plugin for it!), you'll know what I'm talking about.
Many people, me included, use Photoshop because it was their first graphics software. Subsequently a couple of weeks working in it, a free alternative, GIMP, becomes unintuitive and harsh. And hey, Photoshop is and then professional, so when I'm using it, information technology makes me professional! Correct?
Non really. Photoshop doesn't make digital art easier at all. Photo manipulations? Yes, that'due south something it's good at. Just if you want to draw or pigment, I'll tell you lot something—even Epic Pen, a mini software for drawing on your desktop, has amend line control. Hell, even Snipping Tool from Windows is better. And when it comes to neat pointy lines? Prepare for frustration—Photoshop doesn't know what it means. I had to purchase a special, unofficial set for this!
"Simply all the great artists use Photoshop!" Probably, but hither'due south the thing. When they started, there wasn't much also Photoshop. CorelDraw was for vectors, and GIMP... GIMP was crazy. My commencement graphics software was onetime Photoshop Elements and this is how information technology started. If you lot can't afford Photoshop and yous're not addicted to it withal (by comparing all other programs to it), I suggest trying something gratuitous from the start. GIMP isn't beginner-friendly, and it'southward a photo editing tool mainly, but there are others. For example, the small, gratis FireAlpaca, that lets y'all paint things like this. And it has awesome line command! Seriously, why would you start your digital painting gamble with expensive software that's 95% made for editing photos?
1 more thing. Professionals use Photoshop because they tin simply afford information technology. They can afford it considering they're good at what they exercise, not the other manner around.
Doesn't Photoshop Do Magic?
I judge this misconception comes from comparing the "earlier" and "after" of retouched photos. Since an onetime woman can exist turned into an 18-year-erstwhile, nosotros presume that an ugly traditional sketch can be turned into a beautiful painting, just the aforementioned way. Aye, it can, simply Photoshop doesn't do information technology—you exercise. If you lot don't know what should exist done to fix something, Photoshop won't do it for you. It's that unproblematic.
Give Me Your Brushes, So I Can Be as Good every bit You
Every time great digital artists release their personal set of brushes, their fans become euphoric. This is another part of the illusion: if simply I had the same tablet equally you, if merely I used the same plan and the same tools, then I would have your skills. This is the almost unconscious excuse hidden nether every "What software exercise you use?" or "What tablet do you have?" question a great artist gets asked. The answer doesn't alter a thing! Requite this artist a canvass of newspaper and a blunt pencil, and they'll create a masterpiece—something y'all need expensive equipment for.
Sometimes I think custom brushes are just the last resort for people who already have a decent tablet and Photoshop, and are still not as skillful as they wish. They were bad at traditional cartoon, so they tried digital. Now they're however bad, fifty-fifty with all this equipment, so there must be something else. Skills? No, information technology would be likewise easy, it must be because these great artists have different brushes than mine...
If you were bad at traditional painting and a great artist gave you their best brushes, would it make any divergence? In digital fine art it's the same. It'due south not the tool that makes fine art corking, it'due south how you use it!
Having More Doubts?
What Near Photoshop Blending Modes? They Do All the Coloring Work for You!
Or exercise they? I used to think that too, seeing how powerful they were. But they're similar to the Dodge/Fire Tool—they work like magic. If you don't know what effect you desire to get, it'southward and then cool to come across the effect creating itself. Nonetheless, it's a guessing game, and skill isn't about guessing.
Blending Modes can be very useful, merely simply if you lot know how to become the same effect without them. If you know color fundamentals and you could pigment something in the software without this function, then Blending Modes tin be used as an accelerator of the process. If yous tin't bulldoze, Nitrous won't make you lot win the race.
Still, Digital Art Is Faster
No need to look for the layers to dry, and wash the brushes all the time, correct? Only hey, painting is faster than drawing! One big stroke and you've got a whole surface area covered, while with a pencil information technology would take you an hour of careful cross-hatching to do the aforementioned. And all the blending happens past itself! So painting must be cheating!
All media take their pros and cons. When you lot're frustrated and jealous about digital artists, yous're probably seeing only the advantages of digital art—and the disadvantages of the technique yous're using right now.
So, are there whatever disadvantages of digital creating?
- For comfortable work, where the equipment doesn't stand in your mode when creating (unintuitive distance between the movement of the mitt and the cursor on the screen, minor workspace, express capabilities of the software, lags during strokes and saving forcing you to work with a small canvas, immobile workstation), you need to spend a lot of money (big Cintiq, powerful PC, then electricity bills).
- All the various tools that have a totally different "feel" in the real world are merged into a unmarried pen. No affair how big the stroke, you always draw with a small tip. It results in using the same movement of the mitt for drawing and painting.
- The "disengage" option tempts y'all to remove your mistakes instead of looking for a artistic style of fixing them. It'south faster and more convenient, but it deprives you of a adventure for a valuable lesson.
- All of these powerful tools (pencils, hard brushes, soft brushes, texture brushes, photo brushes, dodge/burn down, blur/smudge, pen, and whatnot) are at your fingertips. Information technology may exist tempting to endeavour them all at the same time to get the effect you're non able to get with one tool. However, if information technology comes from poor skills, it may go a crazy hunting for the "easier" tool—instead of mastering i at a time.
- You lot go all the colors for free, without having to mix them, and hence, without understanding them. They all seem equal to y'all.
- You're tied to your workstation.
- Your art tin be easily stolen and reproduced.
- Your art tin can't exist touched—it exists in the form of digits. When converted to a printed form, it may lose some of its vividness.
Digital Art Is Prettier
What tin can I say? It's a affair of taste. For sure, digital art isn't pretty past definition—if it was, everything painted digitally would be more attractive than the most beautiful digital painting. Is the analogy below prettier than "Artemis" by Michael C. Hayes?
I Mean, Digital Art Has Cleaner Lines
It's all nearly the size of the sail, and, again, skill. Yous tin can have clean lines in traditional art—it's just often undesired and unnecessary. What you're talking virtually is called hyper-realism, and that's not the but mode used in painting—or, as y'all may call up, the highest class of it.
Traditional Art Is One of a Kind
Digital art is often considered "fake" merely because it'due south fabricated of digits, and digits are "soulless". But aren't all traditional drawings made of graphite molecules in some configuration?
All artists use some kind of "particle" to build their works. It's non the kind of particle that makes the art—information technology's the way they're organized by an artistic mind. Sit down abreast a working artist and copy all they practise, every stroke, footstep by stride, and you'll create virtually identical artwork! Just does it mean you did the same..?
Art doesn't exist in the brush, the sheet, or the molecules of the pigment. It's non physical—it may take a physical carrier, only it doesn't demand to! So it can't, in this sense, be copied—the artwork is simply one, even if it uses many carriers. Art is the soul hidden in the medium—but it's not the medium.
Conclusion
There's one harsh conclusion from all this: a bad workman blames his tools. Digital art may exist a comfy, clean way of creating, but it will not make an artist out of you by itself. Digital artists aren't "cheaters" and they need to learn the same things as other artists. I know it would exist so cool if you didn't have to learn information technology all, but there's no workaround. Even if in that location was, would you still call yourself an artist, or maybe rather an operator of art-making mechanism?
To wrap information technology upwardly: don't search for tutorials on "how to depict/paint digitally", because information technology would exist like "how to write with a fountain pen"—they won't teach you how to write, but how to use a fountain pen! And there's no use for this tool as long equally you don't know anything nigh the process it's used for. Learn how to do magic with a pencil (or paint, if y'all're not line-oriented), and and so the world is open for you! Modify your way of thinking from "I wish I could be that practiced [only I can't]" to "I want to be that skilful [and I will!]". Adept luck!
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Source: https://design.tutsplus.com/articles/is-digital-art-real-art-facts-and-myths-about-digital-creating--cms-22010
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